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Category Archives: Fire & Stone

Personal Project – Fire & Stone: An Overview

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A while back I took an art/drawing class. For our last project we were to create something that “embodied” us in some way. After 50+ hours I made the above picture from pencil, pen, charcoal, and paint.

It’s difficult to see on this (since the picture is iPhone quality) but each section is crafted with a bit of all four mediums. I did this because I felt the best things in life are  made with many different things combined with great love and attention. Cheesy, I know, but I worked hard on it, and I can honestly saw it embodies everything I feel is important to writing.

Hence, if it took me a few days to make that you could imagine what goes into my writing.

Fire & Stone, my first attempt at a long formatted story, is about ten years in the making. Now, before I let that sound too impressive, I should note the story itself did not take me ten years to write. Rather, the story itself was crafted from a short story I wrote ten years ago.

In that short story, called An Unexpected Friendship, a boy made of stone and a girl made of fire met each other after some people left a campsite. After overcoming their initial shyness they talk and find they had much in common. Soon after they became friends and their lives were better for it. That story came out to be around 5 pages and was written in 2003. Back then I never heard of “data saving” or a “flash drive” so any copies were lost to a Windows 95 computer that was probably recycled into someone’s car.

Nevertheless, the idea of a boy made of stone, and a girl made of fire, was never far from my creative process. Often I thought about redoing their story, so when the time came for me to write my Senior Project I figured, “eh, why the heck not.”

Eventually the story took on a form of it’s own. The campsite that from my first story became a massive forest surrounded by a thick mist. The campfire became the cities of Al-Hascio and Romanica. Eventually, the boy made of stone became Elhove, and the girl made of fire became Nijam. Soon enough the stage gained a few locales, such as the Ivory Tower and the Central Mining Quarry, and the cast quintupled.

Research, as you could imagine, was as varied as the subject material I wrote. I tore through books on psychology (namely those of abuse, neglect, and bereavement), anthropology (mostly on stone and iron age societies), and history (mostly that of Indian and Middle-Eastern societies). Honestly nothing was off limits, as I found researching geology and alchemy aided my endeavors (to varying degrees, i.e. there is no alchemy in this story).

As my friends and family knew, writing this story took a lot out of me, but the end result was well worth it: One shitty first draft, complete with all the tools and tell-tale signs needed to make it better.

After my time at Denver I plan to put a little more information regarding this story, and maybe even post a few excerpts. Until then I hope these last few entries have given you some insight into my current project.

So do you all have something in the works? Any stories where research came to you at a weird time? Do you write when you’re “inspired” or do you just write and hope something sticks?

Until next time.

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Personal Project – Fire and Stone: The Cast, Basics

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“A good story can be weighed down by mediocre characters. Good characters can carry a mediocre story.”
– I don’t know, I can’t find the source. *curls into a ball and cries*

In all seriousness, I cannot stress your characters’ importance. But if I were to explain it in a simple fashion, then allow me to talk as if I were discussing a movie.

Let’s go with The Matrix.

I’ll be 100% honest. I saw the Matrix sequels long before I saw the Matrix itself. As such, the initial shock and awe of “this world is a fabrication” was lost on account of “Yeah I knew that already.” In spite of this, I didn’t want this to spoil my enjoyment of the movie. As such I went in with the mindset of “Let’s see how it gets there.”

Well, to be honest, I almost fell asleep half the time. Not to say Mr. Reeves isn’t a good actor, but I found more personality in my cereal spoon than his performance.

Keanu Spoon

And it wasn’t just Keanu. Morpheus and Trinity struck me as such wooden characters that I found myself caring almost little for anything they did. I even considered shutting off the movie until I got to the major “betrayal scene.”

For those who have watched the movie you know what I’m talking about. For those who haven’t seen the Matrix i’ll not spoil this for you.

In this particular scene a character does and says somethings that put the main characters in a real, tense, life-threatening situation. This character fascinated me so much, because I heard, in that character’s monologue, all their strife, anger, and the many layers that makes a human a human. I was enthralled by this person’s performance on such a scale that it convinced me to watch the rest of this movie.

Now, i’m not saying the Matrix was a bad movie. In fact, I highly recommend it to anyone. However, as novel as the world and plot were, it meant little when none of the cast members came close to that level of intrigue and humanity.

The same goes for writing your story.

Your characters are your actors, and good actors are those who make the audience believe they are real people. It’s why Heath Ledger’s performance as “The Joker” was so haunting, and why Marissa Tomei won an Oscar for playing a woman from New Jersey in My Cousin Vinny. However, in a writer’s world we are not blessed with being able to pick and choose who portrays what in our story.

So it falls upon us, as writers, to create those characters ourselves.

For my story, Fire and Stone, no two characters got more development than Nijam and Elhove. These two, a girl and boy respectively, carry the brunt of the story, and as such they hold the responsibility of being the most realistic. Getting to that point, however, meant that I needed to get to know them better.

Ever have an imaginary friend? Someone you talk to? Listen to? Gives you advice even though, deep down, you’re really just talking to yourself? To me, making a character is a lot like that. I’ll give you an example, a bit of written dialogue I had when I “interviewed” Elhove.


(This is after I asked about his dad)

Elhove: Well what do you want to know? He’s the Elect. People like him. He’s kind of a big deal.

Me: Yeah but do you like him?

Elhove: *shrugs*

Me: What does that mean?

Elhove: I don’t know… I don’t talk to him much.

Me: What do you mean? You’re his son.

Elhove: Only when it’s convenient, I suppose.

Me: Convenient?

Elhove: The last time we talked he scolded me for missing my studies. *covers his arm*

Me: Is that when he gave you that scar?

Elhove:  *glares* Let’s talk about something else.

Silly as it sounds this “interview” went on for a couple of pages. In that time I really got to know a character I made up, simply by keeping in mind what kind of person he might be. As I learned more about him, I looked up various psychology books about children and teens who go through similar pains, all in an attempt to make him seem realistic. Throughout the interview a lot of his answers surprised me, and though he was a figment of my imagination, I felt as if he were a real human being. Whether that comes across to others is a different story, but the fact of the matter is I tried my hardest with everything I had.

For the sake of telling a good story, a lot of work goes into the mechanics. Regarding characters I found you have to practically talk to them, and make them feel like real people rather than just a few archetypes smashed together. This wasn’t the only way I got to know my characters but it definitely helped round them out. Maybe next time I’ll go over more details as to how I get to know my actors and actresses.

In the meantime here are a few links that helped me better understand the people on the page:

http://solsticeapocalypse.tumblr.com/tagged/character-crafting (this tumblr has a wealth of writing information. Very helpful stuff.)

http://www.springhole.net/writing/marysue.htm (how to tell if your character is a “Mary Sue”)

http://www.pgtc.com/~slmiller/characterdevelopment.htm (your basic, catchall character writing site. Contains a good list I use)

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So do any of you have a hard time getting to know your characters? What tricks or tips do you do to help round them out? Have you ever had a character talk back? What do you think about Character archetypes?

And with that I bid you all adieu until next time.

 

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